Sensitive, thoughtful, indecisive, always weighing every option carefully and worrying about making the wrong decision. On the surface, one appears gentle and calm, but deep down, one often gets lost in confusion and struggle. Currently, only some references have been found regarding modeling. It is still under consideration.
It’s still a matter of time and space. I’ve found that if this problem is solved first and then a buffer is added, the entire animation won’t look too bad.
Changed the body cushioning, the eye cushioning, and the shape of the mouth in the second half.
It can be seen that there are still significant issues with the smooth entry and exit in some areas. Also, the final mouth shape needs to be improved.
George also pointed out the problems with the eyes and eyebrows at the same time.
In some cases, the poses of the mouth shapes need to be further refined.
An important point is to place the keyframes for each part on the same frame.
Two issues. The first issue is the problem of body movement. The second issue is the problem of mouth shape.
The segment I chose is from The Lord of the Rings. I made some minor modifications based on the original content.
The model used was purchased online.
Still need to focus on the cushioning of the barbell as it’s picked up and dropped down
The entire process lasted for 4 classes. I would like to express my gratitude to George for his meticulous guidance. Although what I did seemed simple, it was very helpful for my basic skills.
The most challenging part of this animation is when lifting the dumbbell – it requires a smooth in and out motion, and precise control of timing and spacing.
However, hardships actually enable me to progress. The key point is to effectively utilize the two core principles of the bouncing ball and the pendulum.
George helped me correct many issues related to poor poses.The best thing I learn from him is spacing and timing!
My idea was to enhance my sense of strength, so I chose to do weightlifting.
blocking and reference